Brujeria Unveil New Song ‘Plata O Plomo’ (NSFW)

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Extreme metallers BRUJERIA will release their fourth full length album, entitled Pocho Aztlan, on Mexican Independence Day (September 16) via Nuclear Blast Entertainment. Today, the band has debuted a very “N.S.F.W.” video for the track “Plata O Plomo“, below:

The term “Plata O Plomo” was popularized by Mexican and South American drug cartel leaders such as Pablo Escobar and translates into “silver or lead?”. Meaning, “take the money (bribe) or take a bullet”.

Pocho Aztlan is now available for pre-order on Limited Edition Neon Yellow Vinyl, Limited Edition Orange Vinyl and CD/T-Shirt bundle (images below) from the Nuclear Blast UK web store: http://nblast.de/BrujeriaNBUK
Fans can also pre-order the album digitally via iTunes and receive the song “No Aceptan Imitaciones” and “Bruja-” instantly: http://nblast.de/BrujeriaPochoAztlanIT

The lyric video for the first single from Pocho Aztlan, “No Aceptan Imitaciones”, can be viewed here. Listen to the song “Bruja-” at the following location: https://youtu.be/zf0NoHg1ueI

Pocho Aztlan track list:
1. Pocho Aztlan
2. No Aceptan Imitaciones
3. Profecia Del Anticristo
4. Angel De La Frontera
5. Plato O Plomo
6. Satongo
7. Isla De La Fantasia
8. Bruja-
9. Mexico Campeon
10. Codigos
11. Debilador
12. California Über Aztlan (DEAD KENNEDYS cover)

Also, make sure you check out BRUJERIA on the cover of the September issue of Decibel Magazine. Purchase your copy of the magazine here.

Pocho Aztlan is the band’s first release since Brujerizmo was released in 2000 via Roadrunner. It was recorded over the course of many years and at several studios around the globe. The end result was mixed by Russ Russell (NAPALM DEATH, THE EXPLOITED).

BRUJERIA‘s legend has proliferated for nearly three decades. When the band first emerged from the sunbaked hellscape of Los Angeles in 1989, the city was on the brink of chaos. Daryl Gates ruled the LAPD with an iron fist, overseeing a legion of blue-suited stormtroopers who cracked brown and black skulls at every opportunity. Rodney King, the ’92 riots, and CA governor Pete “Pito” Wilson’s anti-immigrant Prop 187 were all on the bleak horizon. The Mexican-American agitators of BRUJERIA captured the mood of the city’s minorities with the band’s infamous and widely banned 1993 debut, Matando Güeros (“Killing White People”), quickly becoming the Spanish-language counterparts to early grindcore masters TERRORIZER and NAPALM DEATH. Led by lyricist and mastermind Juan Brujo, BRUJERIA were alternately rumored to be satanic drug lords and members of well-established metal bands. The truth, as always, lay somewhere in between.

Fast forward to right about now: Pocho Aztlan is BRUJERIA’s first new album in 16 years. The title translates to “Wasted Promised Land,” a combination of Aztlán, the fabled ancestral home of the Aztecs, and the term pocho, which native Mexicans use to refer—not always kindly—to their counterparts born in the States. Brujo himself is pocho, a man caught between two worlds. Many pochos are not exactly accepted with open arms in Mexico. Meanwhile, they’re too often regarded as second-class citizens in their adopted US home. Brujo has transcended both scenarios through the power of BRUJERIA’s uncompromising grindcore and death metal. His all-Spanish lyrics are as vivid as they are effective: Bona fide tales from the frontlines of the drug war, the racial divide, and the battle for the border. “A lot of BRUJERIA songs are true stories,” Brujo says. “And if they haven’t happened yet, they will happen.”

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