indie pop
-
Martin Carr – ‘The Breaks’ Album Review
Martin Carr has been making interesting, boundary-pushing music for years. As the main songwriter in The Boo Radleys, under the moniker of Bravecaptain and as a solo artist, Carr has been responsible for an impressive…
-
The Struts – ‘Everybody Wants’ Album Review
The Struts, who formed in Derby in 2009, have the feeling of a band slightly out of time and their début album certainly harks back to the days of Britpop to quite a blatant extent,…
-
James – ‘La Petite Mort’ Album Review
When I first heard “La Petite Mort”, I thought, “Blimey, it’s almost like James have released a Killers album”. My immediate, rather scathing, second thought was “They’ve done a much better a job of…
-
The Hazey Janes – ‘Language Of A Faint Theory’ Album Review
The Hazey Janes, from Dundee, Scotland, have been around for a while, quietly making rather fine music, supporting some big acts and biding their time until the rest of the world catches up and…
-
The Both – ‘The Both’ Album Review
Eponymous début album “The Both” is the result of an artistic collaboration between Aimee Mann and Ted Leo. I think it’s fair to say that the majority of people who know a decent amount…
-
Gary Page – ‘The Age Of Constant Pressure’ Album Review
Unless you live in Eastbourne, or you are a big fan of David Ford as I am, you probably won’t be familiar with Gary ‘G Man’ Page (if you even don’t know who David…
Author Profile
Phil Stiles
SonicAbuse editor & writer
